This is Part II of a Three-Part Harmony!

This part has to do with the HARMONY of 432 hz. music as it relates to the SPECTRUM of LIGHT!

Let’s review a few of the key points in Part I.  Keep in mind that most anthropologists agree that written languages such as the characters composing Aramaic (ancient Hebrew) and Greek alphabets were the natural evolution of NUMERIC QUOTATIONS.  In other words, NUMBERS most likely existed before letters – not vice-verse.   If that is true, and if say the number 144 means the same thing to any person in any culture, then is it correct to declare that studying the underlying gematria (the number value) structure of ancient words is therefore highly significant in getting the full meaning of the written words?  If so, then let me remind you that the numeric value of the Greek word for Worship is exactly the number 432.  Also remember that the gematria value for the Aramaic word meaning LIGHT is the number 144, or 12 squared (12 x 12.)  Light, then, is synonymous with the number 144, and Worship is 432.

Do not forget also that NUMBERS and mathematical formulas are the foundational bedrock of all science and technology.   This includes medical science and “pharmacology” – and is also true with the science of Music.   Music is, after all, a science of NUMBERS!

So – are there SOUND reasons (pun intended) for sincere and honest Christian “Worship Teams” and bands to exclusively tune their various instruments “down” 8 hz and perform exclusively in 432 hz other than what was shared in Part I?  Indeed there are.

One of the most common questions I have been asked by a portion of the many thousands of people who have downloaded my original post is:  IS THIS “SCRIPTURAL” DR. OTT?  Of course, this is a valid concern, and so here is my public answer: While there is no specific mention of four hundred three tens and two” in the written texts – the Christian needs to keep in mind that many biblical truths are only found and realized by the true believer “with ears to hear” after understanding the meaning of symbolism found in parables.  Christ taught His disciples in Matthew 13 that parables are not to be understood by the profane minds of “the World”.  So it is with the truths of 432 hz. geometry and symmetry.

We clearly see in the “authorized” King James Version that the word “LIGHT” (aka the number 144) appears exactly 272 times.  Light first appears in Genesis 1:3 and clearly is an integral part of the INTELLIGENT DESIGN (aka Creation) of the earth and every living thing upon it.  The Creator tells us in Genesis 1:4 that “Light is Good” – and is separate from DARKNESS.  Pretty basic information right?  But have you ever wondered what “Light” (aka the number 144) really consists of?

Modern physics has proven the scientific fact that “light” is nothing but nano-particles of VIBRATORY WAVE-LENGTHS measured and quantified in the “nano-meter” range.  Furthermore, “light” that is visible to the retina of the human eye (and thus the brain) is composed of three “primary colors” of red, blue, and green.  This constitutes the “spectrum” of light – and the basic colors of the RAINBOW – which is simply sunlight shining through water and water vapor.   Notice the sequence in Genesis 1: 1-4.  First “the Spirit of God moved upon the face of the waters” and THEN came Light!

The Bible then explains that the Creator, following the devastation and destruction of the flood, made a special covenant with Noah and his posterity – and the symbol of that “everlasting covenant” was the “Bow in the clouds” (See Genesis 9:13).  Is it any surprise then, that all of the ancient prophets foretold the coming of the Messiah as being the covenant and promised “LIGHT OF THE WORLD” which would bring people out of their spiritual DARKNESS?  Christ Himself declared the following as recorded in John 8:12 KJV “I am the light of the world: he that followeth me shall not walk in darkness, but shall have the light of life.”

So, how does all this relate to 432 hz tuned music as opposed to 440 hz. music?

First of all, keep in mind that true music theory as we know it today originated with an early mathematician and philosopher named Pythagorus of Samos (c. 580- c. 500 BCE).   Apparently he was the first to show how “harmonic” tones can be generated by means of a simple 3:2 (perfect fifth) division of a string.  This was further documented and expanded upon over the centuries by such men as Johannes Kepler and others.  This is why 432 hz. tuning of concert A is named “Scientific Tuning” because it reflects these “perfect ratios”.  (440 hz. doesn’t come close.)

This is best explained by showing a simple graph of these numeric ratios – where the horizontal plane shows numbers that are multiples of 3, while the vertical plane shows multiples of 2 (diatonics) as placed in a 7X9 matrix:

1      3     9      27    81     243   729

2      6     18    54    162   486

4     12    36    108  324   972

8     24    72    216  648

16   48    144  432

32   96    288  864

64   192  576

128 384  1152

256 768

Notice that the ninth multiple of 2 (256) becomes the perfect 5th tuning of “Middle C” when A is tuned to 432 hz.   Six of the SEVEN NATURAL NOTES OF THE MUSICAL SCALE ARE REPRESENTED in this perfect numerical grid (with the notable exception of F – 342).  C = 256 hz., D = 288 hz., E = 324 hz., F = 342 hz.,  G = 384 hz., A = 432 hz., and B = 486 hz.

Wavelength Spectrum

 

Now look at the corresponding wavelengths and hertz measurements of the known components of LIGHT (aka 144).

LIGHT                                                            MUSIC

Wavelength (nm)    Color                Pitch              Frequency (Hz)

365                         Ultra-Violet          B(3)                 243*3 =   729

      410.6                      Violet                    B(2)                432*9/8 = 486

462                         Blue                       A                    384*9/8 = 432

519.75                    Cyan (Lt. Blue)     G                     1152/3   = 384

???                         Yellow ??                F                          342

547.5                      Green                     E                     288*9/8 = 324

      616                         Orange                   D                     256*9/8 = 288

      693                         Red                        C                          256

730                         Infra-red                B                           243

Notice how the wavelength measurements (in nano-meters) of the spectrum rainbow colors correspond ONLY to the “perfect 5th” tuning hertz frequencies “harmonics” of 432 Concert A.  Notice also that yellow is not a true spectrum color, but is the median combination of the primal colors blue and red – and that its wavelength measurement is widely variant.  The note F appears to be the “wolf frequency” in this equation.  Notice also that we find the corresponding hz value of ULTRAVIOLET light (729) by multiplying the INFRARED hz 0f 243 by the TRINITY VALUE – the number 3.  Also notice the sequence of consistency – that multiplying 4 numbers by the ratio of the numbers 9/8 gives us the next “perfect fifth” in the sequence.

Now notice the following “hidden truth”.   The so-called “golden ratio” of PHI is also intimately connected to LIGHT.  This ratio is clearly identified by those observers of nature who “have eyes to see”.   It is readily apparent in virtually all life in multiple forms. In addition to the witness of nature itself, – we also find this to be true at the most basic nano level – remember, LIGHT and ALL MATTER vibrate on a specific HZ ratio of 8 – specifically called by quantum researchers as simply:  E8.

Here’s yet another clue: the number 8 is the base root of all 432 hz tuning.  The “Fibonacci” string of numbers and its GOLDEN RATIO is found by adding numbers to each preceding number in a string to wit:
1 + 1 = 2,   1+2 = 3,  2+3 = 5, 3+5 = 8 etc. When you complete exactly 12 sequences you will find that 144 (Light) makes its appearance – at that point the final two numbers 144 and 89 form the INFINITY CONSTANT PERFECTION of the ratio 1.618  (144/89)
Keep in mind that 144 is the first lower octave of the note D (288 hz) in the musical scale ONLY when concert A is tuned to 432 Hertz.
 But there is more: Here is a most salient quote from a fairly recent article published in the magazine Science Daily showing what is happening at the very smallest nan0particle of all created matter:
“By tuning the system and artificially introducing more quantum uncertainty the researchers observed that the chain of atoms acts like a nanoscale guitar string. Dr. Radu Coldea from Oxford University, who is the principal author of the paper and drove the international project from its inception a decade ago until the present, explains: “Here the tension comes from the interaction between spins causing them to magnetically resonate. For these interactions we found a series (scale) of resonant notes: The first two notes show a perfect relationship with each other. Their frequencies (pitch) are in the ratio of 1.618…, which is the golden ratio famous from art and architecture.” Radu Coldea is convinced that this is no coincidence. “It reflects a beautiful property of the quantum system — a hidden symmetry. Actually quite a special one called E8 by mathematicians, and this is its first observation in a material,” he explains.”
 
E8 like any other string of algebraic equations is ultimately governed by the Fibonnaci ratio which becomes infinite and perfected at 144, the number of light. Can you now see the importance of 432 hz. music when it comes to HEALING and WORSHIPPING THE CREATOR?
In conclusion, if you think that this is all just some “wild conjecture”, remember that in the 4th Chapter of John’s vision known as the Book of Revelation we learn that the veritable JUDGEMENT THRONE of Christ is “clothed in RAINBOWS OF LIVING COLOR – Flash of LIGHTNING, ROLLS OF THUNDER!”  We also learn that there are 12 x 2 (24) seats and 24 crowned elders who “fall down before him that sat on the throne, and worship (gematria value of 432) him that liveth for ever and ever, and cast their crowns before the throne, saying, Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created. 
Did you know that BLOOD is a complex ratio of protein structures that also mirror the exact LIGHT ratios discussed above.  Christians declare and know they are “redeemed by the BLOOD of Christ” and that is true.  Just remember that when circulating in the body, blood is a PURE BLUE color – and that only after exposure OUTSIDE the body, does it turn to a pure RED hue.
I would leave you with this personal observation, good Christians.  I participate in a small Christian “Worship Team” who has tuned our instruments to 432 hz. I personally feel that doing so has produced powerful positive results in many ways.
One day during worship, I looked out at the congregation and couldn’t help but notice a large number of tear-filled eyes that spoke volumes to me of their individual love of the Savior and of their desire to seek Him.  My Christian friends visiting me from Canada and from Maryland commented on the incredible “spirit of peace” they experienced the minute they walked in the door (during the tail end of the worship portion.)
 
As we were playing, and as I was observing, the still, small voice of the Spirit came clearly to my heart and mind.  May I share what it said to me without being intrusive, condescending, or overbearing?
 
“Behold, the Word of the Lord is like a seed that must take root in the heart of man.  If my seed falls upon rocky or untilled ground, it cannot take root, and it cannot bear fruit.  The MUSIC of worship is like a plow in my hands – it glorifies Me because it prepares the field (the heart and mind of man), for the seed of my Word to take root.”
 
When I asked, “Is it necessary then, for us to play in 432 hz.?” The answer to my soul was powerfully clear and unmistakable in its simplicity: “There are many plows, but there is only one that digs deep and knocks loose ALL the stones in My field of life.”
 
I then went to my KJV Bible and re-read Matthew Chapter 13.   The importance and divine design of Worship Music suddenly became a whole lot clearer in this one sinner’s heart, and helped immensely in my walk with Him.
Here for your review is a sampling of instructive, supporting documentation on this topic:
and
A. True Ott,
Ogden, Utah